
AUBURN, Maine (Dec. 23, 2021) — Let’s get to know Charles Beard, whose intellectual connection to the “controversial” 1619 Project may tar him in some quarters, but whose broader reputation has much to teach us. Born in 1874, Beard was perhaps the most influential American historian of the first half of the 20th century. We segment his heyday because scholarship of all kinds tends to move in and out of fashion. We recognize the study of U.S. history as an academic discipline unto itself. But so is historiography, the study and appraisal of historical writing.
Over the course of a century, U.S. historiographical consensus can change multiple times — according to contemporary political change, judicial findings, military struggle, or random cultural events. These popular dynamics affect what modern historians study and how they go about writing it. They influence how historians (and the general public) view previous scholarship. They shape what is taught in school, too, and what is tossed by the wayside.
Beard’s most notable work, An Economic Interpretation of the Constitution of the United States, prompted much academic pearl-clutching upon its release in 1913, before becoming the bedrock of a consensus that lasted more than 40 years. By the 1960s, his views on colonial America were falling from grace.
This waning/waxing of historical reputations, among historical figures and the academics who study and write about them, is typical. Views are routinely raised up, then built upon or debunked as new scholarship amplifies or sidelines competing points of view. I’d have thought the ongoing 1619 controversies would, by now, have summoned more mention of Beard, whose work similarly challenged an existing consensus re. America’s colonial and revolutionary periods.
The goal of U.S. History is not Consensus
It remains to be seen whether The 1619 Project — a multimedia series from The New York Times Magazine that re-examines and attempts to recast the legacy of slavery in the United States — will experience a similar evolution. The NYT published its 1619 package in book form in November 2023.
This much already seems clear: Few works of U.S. history have ever been so swiftly, widely and cynically politicized. Right-wingers especially have perceived electoral advantage in portraying this work of pop scholarship as a “radical left-wing” cousin to another all-purpose bogeyman, Critical Race Theory. The 1619 Project‘s principal author, Nikole Hannah-Jones, has been vilified. Even the Trotskyites who manage the World Socialist Web Site have joined the fray, on the side of Trumpists, Republican state legislators, and Fox News. This potent propagandistic cocktail (whipped up by such strange bedfellows) has resulted in spitting-mad parents showing up at school committee meetings eager to wage cultural warfare. Just in time for the mid-term elections.
We should emphasize that otherwise reputable historians have also objected to aspects of The 1619 Project, while carefully praising the ambitious sweep of it. That such distinguished mainstream scholars as Sean Wilentz and Gordon Wood have seen fit to kick up such a public fuss illustrates still more politicization — from the normally left-leaning ivory tower.
But what exactly is everyone so angry about? The story of Beard’s rise and fall should help us understand what’s really going on here.








