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Glass Slipper & Carl Spackler Be Damned: Golf Actually Hates a Cinderella Story

Glass Slipper & Carl Spackler Be Damned: Golf Actually Hates a Cinderella Story

FORT LAUDERDALE, Fla (June 14, 2017) — Keith Mitchell won last week’s Honda Classic, besting Brooks Koepka and Ricky Fowler with birdie on the 72nd hole. See above. The headline writers at the Palm Beach Post were less than impressed. Behold, more evidence that golf sorta hates a Cinderella story. Mitchell’s win in actually the latest case study in golf’s curious-but-pervasive Cinderella Complex.

That giant sucking sound you hear? That’s the disappointment of U.S. golf fans and sports writers made manifest. Yet another “nobody” had made off with a PGA Tour title that should have gone to one of our major champion darlings.

Intellectually, golf fans recognize that the lowliest shit-kicking tour pro can beat two-time defending U.S. Open champion Brooks Koepka on any given day — as Mitchell did so bravely and cannily here at last week’s Honda Classic. It happens all the time. It’s part of what makes tournament golf so interesting.

What’s less clear is why such a result leaves so many golf observers so very cold. Why are golf’s surprise winners Humpty Dumpty, not Cinderella? We quote Carl Spackler often enough. When an actual underdog comes out of nowhere, why do we root against him?

This phenomenon has been eating away at me for decades. Perhaps, like me, you’ve wondered aloud why golf fans rooted for Tiger Woods so ardently all those years, while rooting against the likes of Bob May, Y.E. Yang and Trip Kuehne.

There will always be a minority who root against Tiger or Phil or Justin, I suppose. But it is a distinct, vanishingly small minority in golf, especially compared to our rooting habits in other sports. Why?

Given a choice, we prefer to live in singular times. It’s one reason why we can’t take our eyes off Tiger, or Dustin, or Rory — and continually compare them to Nicklaus, Palmer and Trevino. They are the best of our time, and something inside us craves the inevitable comparison with previous “all timers”. This urge to confirm that our stay on Earth spans momentous periods in history is why Grampa still natters on about the severity of snowstorms in the 1940s, why he prefers ballplayers from the 1950s. It’s why we have something called The Greatest Generation.

Cinderella Story: Resisting the Irresistable

But we also root for underdogs because their stories are irresistible, right? Only a neutral cad (or a Patriots fan) could have rooted against the Rams in the most recent Super Bowl. Who but a Yankees fan doesn’t routinely back anyone who might face them in post season? When UCLA won those 88 games in a row under John Wooden, who didn’t root for someone to knock them off?

But golf, or some reason, is different.

It’s long been my feeling that we golf fans, we golf media harbor a most peculiar Cinderella Complex — an Underdog Aversion, if you will. When confronted with the prospect of a title going to Keith Mitchell, or (more to the point) a major title going to Todd Hamilton, Ben Curtis, Mike Donald, Rich Beem or Charl Schwartzel, a good many of us reflexively bridle. We root against them.

Think back to 2004, when Hamilton’s tentative 2-iron faded into the right rough on the 72nd hole at Royal Troon. This is where I first recognized this counter-intuitive emotional tug — in myself. Surely this is where the wheels come off, I thought, when Hamilton’s tee shot went astray. The steely, tactical golf he’d displayed through 71 holes of the Open Championship had been admirable and courageous on so many levels. But clearly, this was the first of several lug nuts to be loosened in the glow of Els’ consecutive birdies at 16 and 17.

And here is the truly dark and twisted part: The emotion we golf observers experienced at Hamilton’s apparent collapse wasn’t disappointment. It was relief. Deep down, something inside us wanted this to happen. Somehow we all felt it would be more satisfying to have a “name” victor. But honestly, why would I root against Todd Hamilton? Why would anyone?

Underdog as Interloper

We had the same feeling the year before when Ben Curtis, playing several groups ahead of the leaders, slowly emerged as the unlikely favorite at Royal St. George’s. As the no-name Ohioan waited in the clubhouse (he finished early and watched the leaders all fall away, you’ll recall), an anxiety permeated golf’s fandom and media horde. Surely, we reasoned, Tiger or Thomas Bjorn or Vijay Singh would do what their pedigrees demanded of them — what we demanded of them — and claim the Claret Jug from this… interloper! 

I felt it, and it wasn’t a new sensation. I had the same feeling when Tiger and Bob May dueled at Valhalla in 2000. Great tournament. Great playoff. Great major victory. But would golf fans and media have thought so if May had prevailed instead? I don’t think we would. Why are golf fans so underdog averse?

The simple answer, though not the most flattering assessment, is that golf fans and golf media are flagrant front-runners. We want champions to win again and again, and we are curiously galled when someone like Curtis or Rich Beem or Orville Moody or Tommy Aaron wins/absconds with a major. Indeed, we find ourselves rooting against them as the tournament plays out. Looking back, we contort ourselves in order to explain them away. We even blame certain courses (Olympic) for not producing proper major champions.

I went back and checked the TV ratings from the 2004 British Open. Sunday’s telecast pulled a 4.6 — a solid number considering Hamilton, this relative unknown, came out of nowhere to hold off one of the sport’s biggest stars (Phil Mickelson) and nip another (Ernie Els) in a playoff. Compare that number to the record 6.4 share achieved on Sunday in 2002. That British Open, at St. Andrews you’ll recall, was done and dusted by Saturday noon. The entire Sunday broadcast was completely devoid of competitive drama, a simple coronation for Tiger Woods. Yet it was the most watched Open Championship in history.

The record U.S. Open TV rating? It came just a month prior, when Tiger won by 15 strokes at Pebble Beach. What else but overt front-running hero-worship could explain numbers like these?

This goes Deeper than Media Hype

It would be easy to blame the media for this phenomenon, which persists to the present day. With 24/7 capacity, it churns out a stunning amount of analysis and prognostication. Inevitably, all this talk, all these words and imagery ultimately center on known quantities — our stars, our heroes, the odds-on favorites. It’s not unreasonable to assume this would have an effect on our involuntary rooting interests.

However, I think it goes deeper than that and predates the modern media age.

Bobby Jones wasn’t just favored to win every time he teed it up; fans preferred that he win time after time. Ben Hogan had won 8 majors by 1955. Yet when he faced down Jack Fleck in the U.S. Open that June we didn’t root for Fleck. We preferred the Wee Ice Mon win another one.

Sometimes the outcome we staunchly prefer does hold, whereby a sort of anti-Cinderella justice is done (read: Van de Velde at Carnoustie). Other times the impossible happens (say, Fleck slaying Hogan at Olympic in 1955). In either case, we might have enjoyed the rags-to-riches theater through 70 holes, but when push came to shove we wanted the proven quantity to prevail.

The uncharitable way we view these David vs. Goliath duels, in retrospect, is revealing. Fleck, after all, is only a single letter from fluke. Fate clearly intervened on his behalf — and we’re still irked about it. Beat the Great Hogan? How dare he!

Admit it: When Steve Jones nipped Tom Lehman at the 1996 U.S. Open, when Scott Simpson held off Watson at Olympic in ’87, when unfancied Michael Campbell bested Tiger at Pinehurst in 2005, when Zach Johnson slayed Goosen and Woods in the ’07 Masters, when Lucas Glover outlasted Mickelson at Bethpage in 2009, the results were tinged with disappointment. In major championship golf, we want our stars to come through.

Y.A. Yang at the 2009 PGA: Were you rooting for him? I mean, why would you NOT root for the first-ever Asian to win a major. Still, I’m betting that you treated him exactly like you treated Rocco Mediate during the 2008 Open at Torrey Pines — pleased to see him fight so gamely, but ultimately hoping to see Tiger prevail.

I’m sorry. That’s twisted.

Unique to Golf

I don’t see this dynamic as nearly so fully developed in other sports. Yes, there are some who delight in team dynasties — mostly media, as it makes prognostication, the new modus operandi of sports punditry, easier — but no one begrudged the Patriots their miracle Super Bowl victory in 2001. In much of the country, rooting for the Yankees to win yet another World Series is akin to backing the tanks in Tianamen Square. And so we delighted in the Marlins and Diamondbacks having their moments in the sun, in 2003 and 2001, respectively.

Golf is different — but not because it’s an individual sport. Do we not root against Venus Williams, then Serena, now Federer and Nadal once their major victories become so common as to seem preordained? Okay, maybe in the quarters we root for Federer, to set up a killer final vs. Nadal. But in that final, should someone like Robin Soderling gain it, as he did in the recent French Open final, we root for him — the Cinderella story. Track and field history is littered with inspirational tales of underdogs who claimed Olympic gold and, by their unlikely efforts, our hearts.

But golf, for some reason, engenders a different sort of response.

There’s a corollary to this dynamic that pertains to venue. In retrospect, for example, some observers consider Open winners from the Olympic Club in San Francisco — Fleck (over Hogan), Casper (over Palmer), Simpson (over Watson), Janzen (over Stewart) — and conclude the course is somehow diminished because it doesn’t produce “great champions”, whereas a track like Pebble Beach (Nicklaus, Watson, Kite, Woods) does.

This, of course, is a canard of the first order, brimming with conceit. No one doubts the rigor and major-championship fitness of, say, Oakland Hills, even though it served up champions like Andy North and Steve Jones. Indeed, Hogan won there in 1951 and Gary Player in the ’74 PGA.

Conversely, does Tiger’s win at Valhalla peg the layout as “great champion producer”? I think not.

But you’ve heard these arguments. It’s part of golf trying to cover its tracks — those left by glass slippers. If Orville Moody wins the Open, there must be an explanation (Champions Club in Houston: poor venue). Yet behind this sort of prattle we see again the front-running gene seemingly inherent to golf’s rooting interests. When our heroes fall short of the brass ring, we politely applaud the underdog and blame the golf course.

We Overvalue Historical Affirmation

History, so central to golf, plays another role here. We prefer our championships, especially our majors) to be memorable affairs. Major titles are the sticks we use to measure a player’s place in the game’s ongoing epic. We want to believe Nicklaus won 18 majors for a reason. By the same token, we want to believe there’s a tangible reason why Colin Montgomerie and all the other unfortunate souls — from complete unknowns to those who’ve worn the Scarlet BPNTHWAM (“Best player never to have won a major”) — haven’t. The prospect of Mike Reid running away with the 1989 PGA just wouldn’t have satisfied. Thank goodness Payne Stewart eventually reeled him in, eh?

Basically, until you’ve won a major, you’re not even on the radar screen of history. At best you’re an outsider with delusions of grandeur, a bit player on a grand stage with the gall to challenge golf’s natural order. As golfers, we accept as fact that the crucible of major championship play will validate the winner as a “major champion”. Golf fans really, really want to believe that major winners are a breed apart.

It’s commonplace, of course, for lesser-knowns to win from week to week on The PGA Tour — more so nowadays when top 30 players are so rich, they play increasingly abbreviated schedules, thereby diluting fields. But we have different expectations for major championships. We expect them to produce something better. Otherwise, what exactly makes them so “major”?

Since 2002, there have been 64 major championships contested. Of those, “name” players have won all but 15 of them. That means nearly a quarter were claimed by underdogs: Cabrera, Glover, Cink, Yang, Immelman, Johnson, Campbell Hamilton, Weir, Curtis, Micheel, Willett, Schwartzel and Beem (I gave the benefit of the doubt to Geoff Ogilvy, Jim Furyk and David Toms who seemed just too well established to include here). Golf is actually in the midst of a relative Cinderella drought: Only Willett would qualify from any of the last 20 major winners.

Yet this truth remains; While winning a major championship might buttress the reputation of an established star, simply winning one does not validate an underdog as a “great” player. In an ass-backward sort of way, the victor validates the major — and the venue. This, in my view, sits at the heart of golf’s confounding Cinderella Complex. Despite all the drama such a Cinderella story might provide, ultimately we prefer that majors not be tainted by the ambivalence we attach to that sort of victory.

Landlord Stories: Frank Rodway, MTM, TBR & Me

Landlord stories

PORTLAND, Maine (May 29, 2017) — Landlord stories are rarely nostalgic. I was fortunate to close my decade-long apartment period with two amazingly positive experiences. When I moved to Portland, Maine 35 years ago — abandoning Greater Boston for what I then considered the ends of the Earth — I lived the first 2-3 weeks at the expense of my new employer, in the city’s lovely West End. The leafy environs there reminded me of the Back Bay. I lived above the carriage house attached to the super cool Pomegranate Inn, a B&B owned by aging, urban hipsters and strewn with modern art.

My studio over the carriage house was so spacious and funky, I fantasized about staying there forever. I met Landord Hall of Fame nominee Frank Rodway only because, eventually, I had to find my own place.

Back in 1992, Frank was owner and proprietor of Thomas Brackett Reed House, a 19th century brownstone once inhabited by and eventually named for a former Maine Congressman and Speaker of the U.S. House of Representatives. When I met him, Frank was a small, trim, 60-something fellow with a vaguely military bearing. Before he walked me upstairs to the third-floor apartment then available for rent, I mentioned my two cats, Scott and Zelda. “Oh, well, we don’t take pets here,” he said.

Frank showed me the place anyway, which gave me the chance to pursue an historical charm offensive. The 1-bedroom space was great: 13-foot, pressed-tin ceilings; windows stretching from the baseboards to somewhere above my head; hardwood floors; $525/month — heated! What’s more, I had just finished The Proud Tower, Barbara Tuchman’s magisterial history of Thomas Brackett Reed’s very heyday: turn of the 20th century, when America was slowly transitioning from insular, adolescent republic to imperialist bestrider of worlds.

We mixed it up, Frank and I, trading Mark Hanna anecdotes, book citations and recommendations. Half an hour later, as he and I were walking downstairs, I mentioned that it was too bad about the cats. “Oh, don’t worry about them,” he said.

Landlord Stories: In Memoriam

Frank Rodway passed away this past January at the ripe old age of 91, the result of a fall on icy pavement as opposed to simple old age. I was among five former residents of Thomas Brackett Reed House who showed up to his memorial service in South Portland. I mean, who does that? Or rather, what sort of landlord inspires that sort of gesture?

TBR House was a different sort of rental property: An historic landmark, for starters, watched over by a guy, Mr. Rodway, who knew the history but also how to engender esprit de corps.

His quite elegant building had a guest apartment on the first floor that tenants could rent for $25 a night. I routinely stashed my parents and visiting Greater Bostonians there. Every Christmas, that guest room and the entire first floor played host to Frank’s holiday party, a shindig that routinely proved the event of the season. Current and former residents alike renewed acquaintances and partook of Frank’s legendarily strong punch.

I should never have known Steve Weatherhead and his lovely wife Annetta; they departed TBR just before I arrived. But I met them at these holiday parties, along with eventual golfing buddy Michael Moore. At Frank’s funeral service, Steve recalled these parties among other things, but not before answering the question that opened his remarks: “I mean, who goes to their former landlord’s funeral?” Well, if it’s Frank Rodway, you go. He was one of a kind, as this obit (clearly written by the man himself) attests.

All about the Eaves

Another former TBR denizen in funeral attendance was one Mary Fowler, my upstairs neighbor and the first real friend I made in Maine. She remains one, but I thought of her again, in the immediate aftermath Frank’s memorial, when Mary Tyler Moore passed away. Mary Fowler and I had a running joke, each of us claiming to be the Mary to the other’s Rhoda.

“Hal,” she would start in, with not inconsiderable finality, “Rhoda was the loud Jew and Mary was the tactful WASP. And my name is Mary. Clearly, I am Mary and you are Rhoda in this relationship.”

“But May-uh,” I’d respond in my best Brooklyn accent, “while all that is true, you live upstairs in the apartment crowded by charming eaves, while I reside in the open and airy apartment downstairs. Cultural heritage has nothing to do with it. It’s all about upstairs, downstairs and picture windows. All the action takes place here, in my apartment. There are no eaves here. These are 13-foot, pressed tin ceilings. It’s all about the eaves!”

These weren’t idle observations because, in my house growing up — a place wherein very little commercial television was deemed suitable for viewing — The Mary Tyler Moore Show and, for that matter, The Dick Van Dyke Show were both sanctioned programming.

I’m confident that I know every last episode of the MTM Show, from the moment she walked into WJM with her long hair and hippie-short skirts (“Murray, get me that list of words Ted mispronounced on the show last night.” Get a load of the top one, Lou. “Chicago?!”), to the episode Rhoda moved out — and onto her own show. I remember when Mary and her ’70s bob moved to that high-rise, modern apartment downtown. Characters came and went, got their own gigs (“Phyllis”), became more prominent over time (Sue Ann Nivens was just a bit player at first), or fell away without so much as a goodbye — sorta like folks who eventually hid their lives away by moving out of Thomas Bracket Reed House.

I absorbed dozens of sitcoms through the years, some darned good, some quite retrograde. But never did I attach myself emotionally to characters quite like I did with Mary Tyler Moore. I was young and impressionable, but when Gavin McLeod took over as captain of the execrable Loveboat, I felt culturally betrayed. It seemed beneath him — then I learned he was born again… Rhoda had, by contrast, gone off to New York City, got married, then divorced, and pretty much stayed in character all along. That spinoff made sense; that’s what people did. That’s what Mary Fowler, Steve and Annetta, Michael Moore and I all did.

When the curtain finally came down on The Mary Tyler Moore Show, after delivering a predictably classic final episode (not an easy trick; try watching the last episode of M*A*S*H or Happy Days), I had trouble adjusting. MTM’s turn as the icy mom in the film Ordinary People was clearly great acting, a little too great. Apparently the real Mary would later develop (then beat) a drinking problem, too. It was all too much. What Mary needed was a good Christmas party where we viewers could get together with all the actors and sort the real from the imagined.

Lifestyle Cardboard Cutouts

The basement at Thomas Bracket Reed House was a dark and dank place, a little dank for storage it seems to me now. Against the musty north-facing wall, a bank of coin-operated washers and dryers rattled and hummed. We residents were obliged to go down at least once a month. One of those times I was taken aback by Frank Rodway lurking in a corner.

Actually, it wasn’t Frank but a life-sized carboard cutout of the man, a vestige of his own, unsuccessful run for the U.S. House of Representatives in 1966 (“Let’s be Frank: Rodway for Congress!”). I was quickly taken with this black-and-white rendering and asked Frank if I could rescue it from obscurity and keep it in my apartment. He seemed flattered, assented, and there it stood in a corner of my living room for most of the three years I lived in TBR House. I even took it with me to the place I ultimately shared with Sharon, once we got engaged.

Marriage reveals a lot about a person. Like good taste. Turns out that a goodly portion of the furnishings I brought to the marriage Sharon never truly loved. The Frank Rodway cutout she found particularly “creepy,” apparently. Somewhere along the line, this admittedly bizarre tribute to my last landlord got junked.

I thought about all this while sitting in the South Portland funeral home listening to Frank’s many nieces and nephews (he had but one daughter, who died young) tell stories about their sui generis uncle. Frank may have been a bit older, Mary Tyler Moore probably a bit taller. My lasting image of him was cardboard; of her, pixelated celluloid. But they now reside together for all time in some pressed-tin corner of my mind.

my last landlord
Frank Rodway, 1926-2017

Coats, Ties and Foursomes: UK College Golf in the ’80s was a Breed Apart

Coats, Ties and Foursomes: UK College Golf in the ’80s was a Breed Apart

SUGAR GROVE, Ill. (May 5, 2017) — For all the trans-Atlantic DNA we share with our British cousins, it’s easy and, I daresay, natural to assume that UK college golf is pretty much a comp for the exercise here in the U.S. Not so. Not today, not forty years ago when I played for the University of London.

Today, top players from the U.K. (and mainland Europe) routinely travel stateside to hone their games at American colleges and universities. At scale, this “study abroad” drains the bBritish collegiate game of talent, obviously. Indeed, many of these men, women and their games will be on display here later this month (May 19-31) at Rich Harvest GC, site of the 2017 NCAA Championships.

But why do they make this trip in such appreciable numbers? Because collegiate golf in the U.K. — like all college sports there — is decidedly low-key, even compared to the low-stakes Division III golf I played at Wesleyan University in Middletown, Conn., during the early 1980s.

For my money, however, one can place UK college golf alongside proper ale and period cinema as something the Brits still do better, with more nuance and panache. Yes, our universities turn out more tour professionals, but for the majority of college golfers, in both countries, that’s not the point. It’s about competition and its sensible integration with the game’s social niceties — and no one does that better than the British upper crust.

That posh ethos dominated my university golfing experience abroad: Coats and ties, foursomes in the morning, singles in the afternoon, and no less than two proper English piss-ups sandwiched between them. You can have your vans, your matching shirts and golf bags. To Yanks, collegiate golf in the U.K. may look and feel more like a club sport. Having played both sides of this fence, I’ll go with the Pommies.

UK College Golf: No Vans

At mighty Wesleyan, a perennial golfing doormat, the exercise during the ‘80s remains recognizable: Throw on a pair of khakis and a golf shirt; pile into a van and meet a different college team, or two, at the course venue. We’d play 18 holes of medal, shake hands, tally up the scores, pile back into the van and drive home to campus. Big-time Division I golf schools don’t play many dual or tri-matches like these any more, I understand. More often they play various invitational tournaments whereby dozens of schools show up in one place, seven guys from each team play medal, and the best 5 scores count. We did this, too, though only once or twice a season.

Collegiate golf in England during the mid-1980s, when I played for the University of London, was nothing like this. Nothing. For starters, and perhaps most important, we rarely played other schools. Instead, university teams were hosted by golf clubs themselves, which trotted out their best players for a day of intergenerational match play and assorted reverie. Here’s a typical match-day regimen:

Put on coat and tie, pack some golf clothes in your golf bag and hump it to the nearest Underground station. Yes, we all got ourselves to the golf course, somehow — by bus or subway or some teammate’s car. We played a lot of matches in Greater London, at places like Roehampton and Royal Wimbledon, and I fondly remember riding the Tube with my golf clubs in tow.

Having arrived at the club, we would literally partake of tea, crumpets and scones with our opponents. As with most British golfing clubs back then, coat and tie were mandatory in the clubhouse, hence the need to dress for breakfast. The University of London Golf Team never once faced another school the entire semester I participated. We played the top 7 amateurs at various clubs who had deigned to host us for a day of matches. They were damned good players, as you might imagine, and they took great delight in showing off their home courses and, more often than not, kicking our asses around them.

The 13th at Royal Wimbeldon GC.

Thirty-six holes, Two Outfits

Our first change of address took place in short order, after tea. We’d slip into golf attire and head out for 18 holes of foursomes, or alternate-shot, at match play. This was great fun but very, very difficult. We typically see this format only in the Ryder Cup or President’s Cup contexts. Even then, a world-class professional, if just a bit off his game, can make life truly miserable for his partner. Just imagine teaming with a 7 handicap who’s probably hung-over, hasn’t picked up a club since the last match two weeks prior, and is seeing some course for the very first time.

Ater this first match, we’d change back into coat and tie for lunch. There were matches where we convened for casual buffets “at luncheon,” but more often than not these were grand affairs: four-course meals with elaborate place settings replete with wine, port and various toasts (read: shots of whiskey). If we students had fared well in the morning, the object of our hosts was mainly to get us as drunk as possible in preparation for…

Afternoon singles. Having changed back into golfing attire, we played 18 holes of singles, at match-play, of course. Depending on the luncheon miniseries, these could be quite entertaining affairs.

To complete the golfing day, one more costume chjange — back into coat and tie so as to hang around the clubhouse bar drinking pints of properly pulled ale with our new, middle-aged friends. Sometimes there were “antics”. At Roehampton (or Royal Wimbledon; I can’t remember which), someone suggested a 1-club tournament, whereby we went back out onto the course, at dusk, still dressed like Harry Vardon, pint in hand, to play a short loop of holes using but a single club. Great fun. I recall choosing a persimmon 4-wood. Remember them?

I honestly couldn’t tell you the first thing about whether we won, lost or drew any of these overall matches against the golf club teams. First of all, from a team perspective, I don’t think it mattered to anyone all that much; second, by the end of these marathon golfing days, I was far too drunk to give a fig.

The Semester’s Final Match

Oldest club in England
Royal Blackheath GC

I do remember well my last match before heading home to America, however. It was played at Royal Blackheath, which, if memory serves, is the oldest golf club in England, i.e. south of the Scottish border. We had arranged this match because a fellow on our team has been a member there growing up. He arranged it and, for him, the exercise prove equal parts homecoming, competition and piss-up.

Luncheon had been a complete free-for-all. Some two hours of eating and drinking had finally given way to the singles matches. Our Blackheath alum went out first against one of his oldest friends, while I — because it was my last match before going home, back across the pond — was given the honor of going out last vs. the club captain. He was 50-something fellow who kept offering sips from his flask all along the outward nine. I politely declined; I was plenty buzzed from lunch and wanted to win my swan song. On 12, I went 3 up and we set about finishing his brandy together.

When we arrived at the tee box serving the par-3 15th, our match nearly decided, we came upon the first group. They had decided to park themselves on a bench, wave everyone through, and concentrate on their drinking, reminiscing and needling. In the three years of college golf I played at Wesleyan, the idea that my opponent and I might blow off or otherwise back-burner our match in favor camaraderie like this? Never have occurred to us. Pity, that.

As we gathered in the clubhouse bar that evening, my teammates — in honor of my pending departure — presented me with a formal and quite stylized summary of the day’s results, complete with my skunking during the morning foursomes and my full point (!) from the singles. I’ve just gone and consulted this document in a scrapbook I keep. It was a touching gesture…

The fact that someone like me — an American, but really just a guy who showed up entirely unannounced, for a single semester — could join the golf team, compete in 5 or 6 matches, and be so thoroughly welcomed, then bade such a fond farewell. It speaks both to the informality of the collegiate golf exercise as it existed in England back then and to the oft-maligned English social character. Yes, they can be a bit stand-offish at first but once they let you in, perhaps with the aid of proper lubrication), they are great fun, quite warm and perhaps more prone to overt sentiment than we Yanks.

I don’t honestly remember how I got home from Royal Blackheath that night. My last concrete memory is playing snooker with several guys in the club’s ornate billiard room, a vast mahogany-paneled expanse beneath impossibly high, pressed-tin ceilings. cloud of cigarette and cigar smoke settled over the tables. Every once in a while, people find out I played college golf in England. They often ask, “So, what was that like?”

In a word, exhausting.

Feeding the Faithful: Golfing the East Coast of Scotland, by Rail
The estimable Balgownie Course at Royal Aberdeen GC

Feeding the Faithful: Golfing the East Coast of Scotland, by Rail

WHEN GOLF was first conceived, participants arrived at the course on foot or horseback, or, if the company was honourable enough, by carriage. For this reason, it remained for centuries a parochial, largely Scottish pursuit. In the 18th and 19th centuries, however, all of British culture was transformed by an industrial capacity that among other things launched a transportation revolution.

Trains would change golf forever.

In particular, completion of the Forth Rail Bridge, in 1890, widely exposed the bounty of Scottish links courses for the first time — to the rest of newly mobile Britain and ultimately the world, which still marvels.

The advent of train travel did something else marvelous: It spurred the development of “new” Scottish links built specifically to accommodate the rail-enabled.

Golf may not have been formulated with trains in mind but the idea and practice of “golf by rail” shaped and grew the game during the late 19th century, its first true boom period, an age we now drape with garlands like “ancient”, “timeless” and “classic”. The railway made the game what it was, what it remains today in the minds of many. Without this transformation, the romantic golfing image of golf we so idealize (the one we still travel to Scotland to find) might never have materialized.

Indeed, the very idea of golf travel was born in this time. By 1890, the railways had cozied up to several superb links in the Scottish lowlands. It only made sense: Rail connected population centers, which lay mainly along the coast, close to sea level where terrain was flattest and bed construction easiest. Just a short walk from these new “centre city” train stations lay the common lands, the links where, for example, in East Lothian, clubs like North Berwick, Muirfield and Gullane already resided. Today they remain as practical to play by train as they did in the 19th century — which is to say, perfectly practical for golfers with a sense of history and adventure.

The Forth Rail Bridge, the world’s first steel span, made this travel scenario a practical reality in Fife, revealing the birthplace of golf to the game’s myriad new zealots.

“As the train neared St. Andrews and I noted the gradually increasing numbers of the faithful,” wrote A.W. Tillinghast on his first trip to “that Mecca for golfers”, in 1895, “I marveled that the popularity of the ancient game had continued, unabated throughout the centuries.”

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Baronets & Collieries: Encountering Fowler’s Beautiful, Wild Place

Baronets & Collieries: Encountering Fowler’s Beautiful, Wild Place

Herbert Fowler is one of those architects whose name, curiously, isn’t readily attached to the many great golf courses he laid out and/or substantially retooled. Cruden Bay? That’s a Fowler. Royal North Devon? Fowler’s fingerprints can be found all over this west country antique. Indeed, his renovation of the Old Tom Morris original (a.k.a. Westward Ho!) fairly well accounts for the course we know today.

This lack of name recognition begins to explain why a venue like Beau Desert Golf Club, which Fowler designed nearly 100 years ago in the Staffordshire hamlet of Hazel Slade for the Sixth Marquess of Anglesey, rings few bells. Yet a better heathland course golfers are unlikely to come across, as indeed many have not.

Herbert Fowler

For his own part, The Marquess (nee Charles Henry Alexander Paget) recognized immediately that Fowler had created something extraordinary on his Beaudesert estate. When the course was completed, in 1913, Paget whisked Fowler off to the family’s “other” ancestral estate at Plas Newydd on the Welsh island of Anglesey. There the architect laid out a second course for the Marquess, Bull Bay Golf Club, another sterling Fowler product you’ve probably never heard of.

The majority of Fowler’s brilliant work was done in his native England, but he did get around. Fowler was the man who transformed a ho-hum par-4 at Pebble Beach into one of golf’s most heroic, par-5 finishing holes. His Cape Cod design at Eastward Ho! (whose peculiar moniker now makes perfect, book-ending sense) is an old-world delight. Fowler also refurbished the ancient Welsh links at Aberdovey where venerated golf writer Bernard Darwin learned the game and played all his life.

Darwin would complete the Fowler circle by eventually visiting Beau Desert’s 160 acres of elevated, exposed ground some 25 miles north of Birmingham. Afterward he asserted that, “Here might be one of the very best of courses, for the turf is excellent and there is a flavour of Gleneagles about it. It stands high and is pleasanter in hot weather than cold, for the wind can blow there with penetrating shrewdness.”

The Ryder Cup may have been contested nearby, at The Belfry; Little Aston may be the region’s most fashionable golfing address. But the finest course in this part of England is Beau Desert. And yes, Herbert Fowler designed it.

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Pledge This: ‘I Support The SoPo Three’

Pledge This: ‘I Support The SoPo Three’

Students_pledging_allegiance_to_the_American_flag_with_the_Bellamy_salute

This is how American kids pledged allegiance to the flag pre-WWII. Honest.

[Ed. Apropos of its dodgy, opportunistic political history, the pledge is back in the news. Accordingly, hp.net has reposted this piece from 2015, or rather, we have pinned it to the blog’s most prominent position. All hp.net content remains live and searchable.]

SOUTH PORTLAND, Maine (Feb. 24, 2015 ) — The sad truth is, kids are easy targets when it comes to ideological inculcation outside the home. This time-honored strategy of ‘getting them while they’re young’ may have first been written down in Proverbs 22:6 (“Train up a child in the way he should go and when he is old he will not depart from it.”), but it’s a gambit that is surely much older than that. And so I was heartened to read of the South Portland, Maine girls who recently put their feet down re. the pledge of allegiance, which, I understand, is something SoPo kids — and most American high schoolers — are still expected to recite each and every morning.

Over the public address system, students at South Portland High School hear the same sort of thing we all grew up hearing: At this time, would you please rise and join me for the pledge of allegiance

In late January, however, class president, Lily SanGiovanni, made the decision to start adding what proved to be a controversial 4-word tagline … if you’d like to.

Naturally, in a country so volubly dedicated to liberty and free speech, people freaked out. Love of country was questioned. Ingratitude to fallen soldiers was charged. Educational bureaucrats wavered, then caved. The four words were eliminated.

What a steaming pile of crapola.

It’s probably been a while since most adults have taken a close look at the U.S. pledge of allegiance, or given it much thought. Revealingly, our culture does not ask adults to say these words, every morning, Monday through Friday — only our children are required to do that (if they go to public, taxpayer-funded schools). Still, we old folks can all recite it by heart: I pledge allegiance, to the flag, of the United States of America, and to the republic, for which it stands, one nation, under God, indivisible, with liberty and justice for all.

There. I did that from memory (!). See how impressionable young minds are over the long term? … But seriously folks, it’s instructive to examine this pledge, in the same way SanGiovanni and two of her classmates have done. They were uncomfortable with the invocation of a Christian God, every day, as part of a public statement that students enrolled in government schools are obliged/encouraged to recite every day. They have a point, but that’s not the half of it.

Let’s start with the name: Exactly what sort of authorities, in a democratic republic, would suggest that adult citizens make such a pledge? In my view, it’s not something free peoples should ever be asked to do — especially kids, whose feelings on these matters should formed by parents, not the state. This practice strikes me as something illegitimate or otherwise authoritarian “regimes” would insist upon: maybe the Czech government in 1967, or the Khmer Rouge circa 1975, or Josef Stalin any ol’ time.

In fact, see here the Oath of Allegiance Grandpa Joe did require of the Soviet people, starting in 1939: I, a citizen of the Union of Soviet Socialist Republics, joining the ranks of the Workers’ and Peasants’ Red Army, do hereby take the oath of allegiance and do solemnly vow to be an honest, brave, disciplined and vigilant fighter, to guard strictly all military and State secrets, to obey implicitly all Army regulations and orders of my commanders, commissars and superiors. I vow to study the duties of a soldier conscientiously, to safeguard Army and National property in every way possible and to be true to my People, my Soviet Motherland, and the Workers’ and Peasants’ Government to my last breath. I am always prepared at the order of the Workers’ and Peasants’ Government to come to the defense of my Motherland — the Union of Soviet Socialist Republics — and, as a fighter of the Workers’ and Peasants’ Red Army, I vow to defend her courageously, skillfully, creditably and honorably, without sparing my blood and my very life to achieve complete victory over the enemy. And if through evil intent I break this solemn oath, then let the stern punishment of the Soviet law, and the universal hatred and contempt of the working people, fall upon me.

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Historical Fact & Fiction: Reviewing a Review from 1994

Historical Fact & Fiction: Reviewing a Review from 1994

 Gore Vidal during a Los Angeles interview in 1974.

 

THE HAROLD HERALD BOOK REVIEW

Ambition as a Historical Catalyst:
Burr, Lincoln, 1876, Empire, Hollywood, and Washington D.C.
by Gore Vidal.
Ballantine Press, $5.95 ea.

By all rights, Aaron Burr should have been the third president of the United States. If not the third, then certainly the fourth. When he and Thomas Jefferson secured the identical number of electoral votes following the election of 1800, Burr stood aside, accepted the vice presidency, and bided his time. The presidency would certainly be his eventually. Hadn’t John Adams set the executive precedent by accepting the second spot, then ascending in due course? Hadn’t Jefferson promised his support when the time came? But Jefferson would prove unfailingly vague when it came to political commitments. He was wary of Burr and isolated the vice president within his Cabinet. Jefferson wouldn’t allow Burr to resign with honor — until, that is, Burr hadn’t the time to organize a credible campaign for 1804. Jefferson then framed Burr for treason, tried him and while he couldn’t prove the trumped-up charges, the president had by then effectively obliterated Burr’s political viability, thus securing his own and, by naming James Madison vice president, a Virginian ascension.

At least, that’s Burr’s version of events.

Or rather, that’s the version laid out by Gore Vidal’s title character in “Burr,” the first of six historical novels comprising the author’s American Chronicle, which I started in August and have finally finished. By tracking Aaron Burr and his descendants through the nation’s first 150 years, Vidal illustrates how ambition and decidedly unenlightened political scheming shaped and sustained the world’s first modern democracy. At the same time Vidal weaves an enormously intricate, believable tapestry where historic figures full of life mingle with the fascinating Burr and his equally engaging but fictional offspring. Vidal has clearly done a vast amount of homework. Yet while his narrative has an authority born of journals, letters and historical canon, Vidal’s real characters — like Jefferson and William Seward, Lincoln’s ambitious secretary of state — are unfailingly funny, sullen, outrageous, randy, paranoid and sometimes insane. In a word, human. Indeed, they take on the qualities of fictional characters because they’re depicted with such depth, wit and humanity. On scholarly grounds, historians wouldn’t dare recreate dialogue as Vidal has done. Besides, most historians couldn’t do it; they haven’t his skills as a novelist. Vidal can convincingly mimic Henry Adams and Mrs. John Jacob Astor, with equal parts style and integrity, because he’s a novelist with a supreme command of the subject matter.

When Vidal intersperses these historical figures with fictional characters (believably placed in the maelstrom of actual events), it’s hard to remember who’s real and who’s not. The author does his level best to remove any distinction.

Young Charles Schermerhorn Schuyler, a fictional law clerk and budding journalist, tells the story of “Burr”. Schuyler works for the title character and convinces the old man to dictate his fascinating memoir. This Burr does, in part. The bits and pieces of his amazing life — the raid on Quebec with Benedict Arnold, candid Burr-centric portrayals of all the founding fathers, his aborted conquest of Mexico, his many wives, his mysterious relationship with Martin van Buren, rumored to be Burr’s bastard son — are never published as memoir, per se, only as flashbacks set against Burr and Schuyler’s “contemporary” story, set in the 1830s. The young protégé is mesmerized by this window on the nation’s founding moments and men, but he is fairly well knocked to the floor when, upon the old man’s death, Schuyler learns that he, too, is Burr’s illegitimate son.

In “Lincoln,” volume II in the series, Schuyler disappears and Vidal centers the novel around two historical figures: the president and his young secretary, John Hay, who narrates. Schuyler reappears very late in “Lincoln” before resuming his narrative in the third volume, “1876.” Here Schuyler and his daughter hitch their political wagons to the shoo-in presidential candidate, Samuel Tilden, and their social fortunes to New York’s budding Astor-based society. At the beginning of “Empire,” Hay, now President McKinley’s secretary of state, returns as one of Vidal’s central characters, alongside Schuyler’s two grandchildren, Caroline and Blaise Sanford. Secretary Hay becomes Teddy Roosevelt’s vice president upon McKinley’s assassination. Blaise becomes William Randolph Hearst’s dilettante protégé, while sister Caroline — a former schoolmate of Eleanor Roosevelt in England — buys the fictional Washington Tribune, where she out-tabloids both Hearst and her jealous brother. “Hollywood” follows Caroline to California, where she helps pioneer the movie industry (with Hearst). Blaise buys the Tribune and remains in D.C. to savage President Wilson — and back the serenely dim, Republican hopeful, Warren Harding. In the closing novel, “Washington, D.C.,” Blaise is an aging, would-be kingmaker frustrated by FDR’s stranglehold on the body politic. The nation’s capital — a malaria-ravaged swampland in “Burr”; a provincial seat of government in “1876”; now, in 1945, nerve center of the world’s first superpower — has changed, but it still provides a fascinating backdrop for Vidal’s horde of schemers and climbers; all the folks who have made this country what it is today.

Imbued, as I am, with the arrogant notion that scholarly history is interesting enough (blame the Wesleyan history department), I’ve never been a fan of historical novels. Though I’ve always liked Mary Renault (“The Persian Boy”, “Mask of Apollo”), the genre allows too many liberties. Basically, it’s cheating.

But Vidal changed my mind. Well, he didn’t change it… Vidal proves it can be done well, even raised to high art. But good luck finding another author so capable.

 

Ed. So, I found this piece in an online issue of the Harold Herald, the proto-blog I published via Pagemaker, a Xerox MFM and the U.S. Postal Service in 1994. Disappointed I can’t find the ancient “print” version, as I recall spending a lot of time laying it out to make it look exactly like a NYTimes Book Review page. In any case, it remains an odd mix of fascination and dread to read oneself from 20 years ago, especially as I happen to be rereading “1876” right now. I back most everything I wrote here, save the last bit. I have, in the ensuing decades, found several historical novelists the equal of Vidal, but only in certain respects. Bernard Cornwell — he of the Sharpe’s Rifles series, set in Napoleonic times; an Arthurian trilogy of the highest quality; and several more multiple-volume depictions (of England in the of time Alfred, France in the middle ages, and even America during the Civil War) — is a thoroughly trustworthy historian and expert yarn-spinner. But he cannot write like Vidal. Few can. Renault is fabulous, but Vidal’s “Julian”, which I read after tapping out the above review, beats Mary in her own classical backyard. Hilary Mantel’s 21st Century series starring Thomas Cromwell and Henry VIII (“Wolf Hall” and “Bring up the Bodies” are to be capped by a soon-to-be-released third book) is superb — but she needs a few more under her belt, ideally something from a completely different era, to hang with Vidal.

The best moments in any good historical novel are when the author introduces and puts to lengthy narrative use juicy historical characters — their rendering and their interaction with fictional characters, when done well, can be thrilling. This might happen a half dozen times in any Cornwell novel. In “1876”, it happens every 15 pages: Grant, Mark Twain, Maine’s own James Blaine, James Garfield, an array of New York newspaper editors and publishers, The Astors, Samuel Tilden, even Chester A. Arthur for chrissakes. The density of these non-fictional characters in the narrative is dizzying, and Vidal delights in painting familiar icons in ways that deconstruct our preconceptions while remaining entirely plausible, not to mention historically accurate. This is some of what makes Mantel such a formidable player in the genre: She similarly packs her novels with historical figures, fascinatingly rendered, something her relatively modern subject matter (and our familiarity with many of her non-fiction characters) allows.

The piece de resistance of any historical novel, I’ve learned, is the author’s note at book’s close. Not all of these are handled the same way, but here, typically, the author details the liberties he/she may or may not have taken with historical events and personages. Invariably, they are minimal; it’s in the author’s interest to give that impression, of course. Oftentimes they’ll get into their sourcing, their bibliography, for the same reasons. Either way, it’s clear that extraordinary grounding in a subject is required, alongside and integrated with their abilities as storytellers. I remember when I first read the author’s note for Burr: Vidal basically says, “Everything depicted here is historically accurate; everything the non-fictional characters are quoted to have said was taken directly from primary sources, i.e. their letters, correspondence and memoirs.” I just skipped ahead last night to the Author’s Note for “1876”. It’s similarly brief. Vidal was obliged to move up Twain’s publication of “Huckleberry Finn” so it might be discussed during the author’s dinner at Delmonico’s with Schuyler in June 1876. Similarly, the massacre at Little Bighorn happened in July, but word of it didn’t reach back East for several weeks. Vidal wanted it in the air at the Republican convention in July, so he took that liberty. But that’s it. Everything else fits together like a sprawling Roman floor mosaic, the sweep of history accented here and there by bits of fictional color.

 What I didn’t know in 1994 was that Vidal wrote these books out of order, as it were. “Washington D.C” came first (published in 1967), followed by “Burr”, “1876”, “Lincoln”, “Empire” and “Hollywood”. What I couldn’t have known back then was that he would add a seventh volume, “The Golden Age”, that chronicles America during the Cold War. In this coda, Vidal takes us right up to the year 2000 (the year it was published), by which time the original thesis laid out in the very first book and supported throughout the series — that America’s republic, always built on the not particularly reliable or durable foundations of corruption, ambition and privilege, had, with the close of WWII, finally given way to outright empire — had indeed come to pass. “The Golden Age” features the broad cast of historical characters any reader of the Chronicle might expect, plus one that comes as a mind-bending but pleasant surprise: Gore Vidal himself. 

 Vidal never cottoned to calling this series his American Chronicle. That came from the publisher apparently. He preferred Narratives of Empire, and one can see why.

 

Recalling, Replicating Scenes from the Parking Lot at Ponkapoag
My dad on the 8th green at Nehoiden, right across the street from the house where grew up. It's late November; the greens have been staked for fencing at the first snow. We sprinkled his ashes here, and there's a memorial bench for him just right of this frame, on the 9th tee. There is no headstone in any cemetery for him. This is his spot, for all eternity.

Recalling, Replicating Scenes from the Parking Lot at Ponkapoag

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My dad with his dad, the original Harold Gardner Phillips.

I try to write each August about my dad, Harold Gardner Phillips, Jr., as he passed away (all too soon) at the end of this month back in 2011. This exercise is equal parts homage and memory aid as I suppose one fears these recollections, now perfectly strong, will somehow fade with time. This year the jog happened naturally, as today I stand poised at the fulcrum of a generational see-saw: My son Silas goes off to college tomorrow, and so the memories rush back re. the day my dad saw me off, out of the nest and into the world.

As is the case with so many stories I’ve shared about my dad, golf plays an intersectional role. This one’s even more fitting because it centers on Ponkapoag Golf Course in Canton, Mass., a municipal track we played dozens of times growing up. One used to be able to see it from Route 128, the frenetic inner ring road that circles Greater Boston, though methinks ever-maturing trees now obscure that view. Today there are only 27 holes at “Ponky”, but there used to be 36. The course one used to see from the highway was nothing special. The other 18, however, was a Donald Ross design from the 1930s that, despite the rigors of time, high traffic and miniscule maintenance budgeting remained damned sublime.

My dad and I played Ponky together on a several occasions, but this was mainly a place where he, my mom and various other parental figures dropped my friends and me for an entire day of golfing adventure. It also served as venue to a pair of tournaments: The CYO (that’s “Catholic Youth Organization” for those who may not have grown up in Boston, where the Church held such wide-ranging cultural sway) and the New England Junior Championship.

That day I left for college, a cloudy late August morning in 1982, I was scheduled to play a quarterfinal match at the New England Juniors, as I had qualified earlier that week for what stood to be a potentially anti-climactic match-play portion. I had packed our Dodge Omni that morning with all my stuff. Win or lose, I would decamp for Wesleyan University in Middletown, Conn., some 100 miles southwest, directly from the golf course.

As it happened, I won the match, bettering a kid from Rhode Island named Fred, 3 & 1. I signed my card, informed a quite delighted Fred that I would be withdrawing, told the officials, and walked off to the parking lot.

There to my surprise I found my dad, who had just rolled up.

As a kid, my competitive golfing career would never prove particularly extensive. Indeed, this tournament and the New England Juniors the year before were the only two events I had ever played, to that point. Golf was a fall sport at my high school, as was soccer, which took clear precedence. In other words, while my dad had played hundreds of rounds of golf with me over the years, and we maintained a spirited, running match for decades, he had never seen me play a proper tournament match against anyone else.

One time, in college, he showed up at Pleasant Valley Country Club near Worcester to see me play a collegiate match featuring Wesleyan, Springfield College (I think) and Assumption. I know the latter to be true, for certain, because I ended up facing a guy from Assumption that day named Frank Vana, who would go on to win multiple Massachusetts Amateur crowns. My dad worked near PVCC and he showed up on the 9th or 10th hole, at which point my game imploded. He scurried off after we finished 13, not wanting to cause/witness any more carnage.

For many years, I was never sure what exactly he meant to “do” that day — in the parking lot at Ponky. We had said our goodbyes that morning, and it wasn’t as though I was going off to war. But today, I can see he probably wanted one last moment with his boy, who would soon leave and return in some way, shape or form, a man.

I’ve been trying to remember what exactly my dad and I talked about during that moment in the parking lot. I surely went over the match with him, and the curious aspect of my winning but withdrawing. I don’t remember that we got into anything particularly deep. I remember being touched that he had shown up, but there were no tears. I’m pretty sure we shook hands.

See here a relevant excerpt from the eulogy I delivered for him in 2011:

My dad was not a particularly emotive man, not for most of the 40 odd years I had a clear picture of him. I remember one time I came home from college and was determined, in the sure and committed way of college students, to simply start hugging him and telling him that I loved him. I had seen other dads do this and had been impressed — that a father and son could be so open and physical in their affection for one another. I wanted that for my dad and me, to be honest. So I started out with hugs and, well… the man never really got comfortable with it. It just wasn’t his way. I remember telling him during this same period that I loved him, and noting that, to some extent, one is obliged to let people know that this is so, to verbalize it, to say it plain. He said that wasn’t his way, that he instead showed people he loved them. I remember thinking, at the time, that this was something of a cop-out.

But the man knew himself. As I grew older, I better recognized the ways he expressed intimacy and let you know how he felt. There are no rules or universalities for these things, I’ve learned, as I myself have grown as old and, in some ways, as wise as he. The more I observed this, over time, I can report that my dad did practice this sort of behavior consistently, with all sorts of people.

I think one of the keys to understanding and appreciating my dad is this: If he enjoyed something, his greatest joy was to share that enjoyment with you. If there was a piece of music that he found thrilling — and the man enjoyed a notably wide musical taste — he wanted you to listen to it and, ideally, derive the same thrill, too. If there was something he had seen on PBS or C-span, he wanted you to see it, too. If there was food item he had acquired or my mom had made, he wanted you to consume it. Right then. His enthusiasm for this sharing was really quite intimate, almost childlike in its enthusiasm. You might walk into my parents’ home, having not seen him for weeks, and his most deeply held desire was to have you sit down and watch an interview with the historian Gordon Wood, right then, so soon as you put your bag down.

And there was another aspect to this: He wanted you to listen or watch or taste or, to the extent possible, read this stuff WITH you. He wanted to sit right next to you while we watched the Gordon Wood interview, together — so he could pause the recording and discuss it. He wanted you to put the earphones on while he would stand right there beside you, grinning giddily, as you listened to some choral piece by Arvo Part. He would call just to see how far you were in a book he had recommended, to get updates on your progress…

I loved my dad but I, like many sons, have fashioned a great deal of my life in response to his. When Silas heads off tomorrow morning, there will be hugs. There will be tears. That said, I expect that whatever I’m feeling at that moment, is the same thing my dad felt that day, some 32 years ago, in the parking lot at Ponkapoag.

Silas is flying to Montana tomorrow morning, with his mom. I suppose that if I could practically meet them in Chicago for one last goodbye, I’d do it.

Silver Tribute Ends 23 Years of Jazz-Search Futility

Silver Tribute Ends 23 Years of Jazz-Search Futility

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Bald Hill played the Peace Fair on Brunswick Green Saturday. Our mando player, Ben, arranged the gig: His mother is a German war bride and longtime social justice activist. She administers this event, which annually draws a healthy cross-section of southern Maine’s aged hippie population. This year, for these unreconstructed lefties, we performed a Pete Seeger tribute/sing-along. The crowd was big (for a peace fair, in August) and the weather held off. But the noteworthy development arrived before I had played a note. Ben’s brother Matt, a gifted pianist, was up for the event and brought along a fellow Nutmegger native on sax. They started our set (we followed a five-piece that featured two steel drums) with a four-piece tribute to the recently departed Horace Silver (above), a jazz name I sorta knew but not really. Altogether appropriately, the song they chose was “Peace”, and it quickly transported me.

During the early 1990s, I worked as the news editor at a couple of daily newspapers in Massachusetts. The life was somewhat nocturnal: I’d arrive at 5 p.m., put the paper on the press at 2 a.m., and go home — unless the paper crowd had gathered for very late-night revelry. We were somewhat obliged to socialize together because who else was awake? Even a ridiculous schedule like this can become routine: I’d arrive in the newsroom and flip on NPR via WGBH in Boston. The first two hours of the work “day” were a mix of gay banter, serious story planning, photo assessment (from what had been shot that day) and assignment (to be shot that night), and front page/section layout. All this took place with All Things Considered airing in the background, as soundtrack.

At 7 p.m., things got more down to business. Reporters headed off to meetings or returned from accidents/crime scenes/sporting events to begin filing stories — stories that I would read and edit before sending the final layout to the paste-up/press operation a few towns over.

But nothing seriously got done, not at my desk anyway, until 7:04. WGBH aired a jazz program starting each night at 19:00 called “Eric in the Evening”. The show theme was this beautiful piece of jazz that dripped from the transistor radio each night, all on its own, starting at exactly 7 p.m. The routine of its play provided the perfect respite and regathering moment before the radio got turned off and we all transitioned to the mania of another evening on deadline.

I’m not a huge jazz guy. I like a massive cross-section of the genre, though when I pin myself down, I can see how the influence of Charlie Brown and Vince Guaraldi shaped this particular aspect of my musical taste. Dave Brubeck. Bill Evans. That’s the stuff I’m drawn to apparently: white guys from the late ‘50s and early 60s. Very uncool, I’m afraid. Just the way it is.

I left the Marlboro Enterprise and Hudson Daily Sun in 1992. I never did get the name of that theme music to “Eric in the Evening”. Every couple years it would jump into my brain — not because I’d heard it, but because I’d remember just how resonant and important it was to me, at one time, in my work life. I googled “Eric in the Evening theme” one time, with no luck. For a long time, apparently, Eric Jackson still hosted a jazz show on WGBH radio, but at some point he’d eschewed the regular-theme music thing, opting instead for excerpted bits from that night’s guest or spotlight artist.

Well, I can report without question that “Peace”, was in fact Eric’s old show theme. I knew it from the moment I heard the opening two measures at the 2013 Peace Fair. Only took me 23 years… And now Eric Jackson has passed away, at 72.

Here is Silver’s original version, from 1959. Here is the Tommy Flanagan version that specifically served as the “Eric in the Evening” theme. Peace out, Mr. Jackson.

Of Hillsborough, Heysel & Stamford Bridge: Backstories amplify documentary of tragedy

Of Hillsborough, Heysel & Stamford Bridge: Backstories amplify documentary of tragedy

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This post was excerpted and adapted from, Generation Zero: Founding Fathers, Hidden Histories & The Making of Soccer in America (Dickinson-Moses Press, 2022).

In joining the wide chorus of praise for director Daniel Gordon’s superb “30 for 30” documentary on the Hillsborough soccer disaster, we should be reminded of two things: First, the state of British football fandom in the mid- to late-1980s was legitimately menacing and pervasive; and second, the 1985 Heysel Stadium disaster, where 39 died in a similar crush of humanity, should hang over the Hillsborough proceedings with a pall all its own.

That Gordon never found space in his film for Heysel, nor Britain’s genuine and warranted cultural worry over hooliganism (and Liverpool’s connection thereto) is somewhat startling.

Gordon was clearly at pains to accentuate the unfair and, some would argue, criminal treatment that Liverpool fans received in the wake of Hillsborough. It’s a fair and important point, and the facts here have been too long obscured. However, the context Gordon seeks — namely, that Liverpool’s reputation for hooligan behavior contributed to the way the disaster was investigated — surely cannot be summoned without a discussion of Heysel, which colored everything that came afterward and certainly fixed uncomfortable attention on a club and fan base that played central roles in both tragedies.

Liverpool FC was indeed front and center on May 29, 1985, when the Reds met Juventus of Turin in the European Cup Final, forebear to today’s Champions League Final. Thirty-nine predominantly Italian fans perished that night in Brussels, where Liverpool fans stormed a purportedly neutral area inside the gates but outside the stadium itself. Juventus supporters fled the threat, into the stadium, toward a concrete retaining wall. Fans already seated there were crushed by the onslaught of humanity — then the wall collapsed.

Unlike the Hillsborough narrative, very little of the above account is disputed, by Liverpool supporters or anyone else. Six hundred more were injured at Heysel that night and, as a result, English clubs were banned from all European competitions for five years. Liverpool was banned for 10, but was allowed back after 7 years served.

Gordon makes the important point that, rightly or wrongly, the fear of untoward supporter behavior tragically influenced police actions before, during and after the tragic 1989 FA Cup semifinal. The presumption that drunken fan violence had played a role ultimately moved the English Football Association (FA) to an appalling continuum of cynical posturing. That same presumption influenced media coverage of the event for years to come.

As such, it’s vital to understand the climate in which that semifinal, and so many other matches were routinely played during this period.

The police, the FA and the media behaved abominably post-Hillsborough. Full stop.

However, they were not behaving in a vacuum. The mid- to late-1980s were rife with soccer hooliganism. I was there, in London, for most of 1984-85 season. No one should require my eyewitness accounts, gathered from four separate city grounds, but serious alcohol consumption routinely played a role in the violence.

And yet Gordon touches on this broader cultural phenomenon very little.

Hey, it’s a big subject — probably too big to address fully/fairly in a 120-minute documentary on Hillsborough. But again, methinks Gordon soft-pedaled it because undo context here would tend to explain, if not justify, the behavior/presumptions of police, the FA and media in relation to Hillsborough.

Gordon does make it clear that police, the FA and England’s tabloid culture took this fear of hooliganism — born of Heysel and myriad other incidents involving dozens of clubs — and manipulated it in disgraceful fashion. However, menacing fan behavior was no figment of the FA’s nor Rupert Murdoch’s imagination.

It was all too real and totally out of control in many cases, as I witnessed first hand.

•••

It can be argued that the spring of 1985 represented the nadir of British football hooliganism, as Heysel had not yet gone down and English supporters still traveled to away grounds, foreign and domestic, with impunity. As it happened, this low point coincided with the semester I spent at the University of London, on loan, as it were, from my American college. I traveled all over the city that winter and spring, taking in a dozen matches at three separate grounds.

My maiden voyage, however, would prove the ultimate eye-opener.

I had two English roommates at the Westfield College, University of London; both were rugby fans and sarcastically dismissed football as a meaningless diversion for working class oiks. Accordingly, when Barry — a fellow American and Sheffield Wednesday fan (thanks to several summers spent in South Yorkshire with his cousins) — suggested we and I take in the Chelsea-Wednesday match one early February night at Stamford Bridge, I didn’t even mention it to my roommates. Off Barry and I went.

The word “hooligan” has always been loaded with questionable motivation, but there is no doubt that English soccer in the mid-1980s was then developing, in earnest, its notorious reputation for what has since become known, in a blanket fashion, as “hooliganism”, whereby traveling supporters of certain clubs would clash with home-standing counterparts before, during and after matches in miniature manifestations of England’s particular brand of xenophobia. People always harp upon English hatred of the French, and they do hate them (who wouldn’t). But in truth, the English aren’t particularly fond of anyone in Europe. Indeed, people from the South of England belittle people from the North, and vice versa; residents of Shropshire deride their neighbors in Worcestershire, and vice versa; even neighboring towns have managed to work up healthy mutual hatreds over the course of centuries.

As a consequence, “support” for football clubs routinely takes on a tribal, fever pitch (to borrow a phrase) the likes of which we really cannot imagine here in the States. There is no cultural equivalent that even begins to fit.

The year before, after Liverpool had defeated Roma in the 1984 European Cup Final, bands of Italian toughs on scooters had apparently attacked celebrating British fans as they danced in the Eternal City’s many fountains. Hit and run, or hit and scoot, apparently. This sort of behavior didn’t sit well with the English, as it probably wouldn’t with anyone. A year later, at Heysel, it was payback time.

Yet fan violence wasn’t reserved for internationals. English fans — not all fans, but relatively small subgroups of young toughs — routinely practiced their sordid craft at domestic matches, where rivalries were arguably more heated. Familiarity and contempt, don’t you know. This was the backdrop, only a few months pre-Heysel, as Barry and I left Westfield College, in the north London borough of Hampstead, for south London.

The tableau in and around Stamford Bridge that night was truly surreal. We came up and out of the Fulham Broadway Tube station and immediately walked past a pub that had been thoroughly gutted, all its windows shattered following a punch-up late that afternoon apparently; police and angry masses milled about everywhere.

Picture the scene from Apocalypse Now where Martin Sheen and the boys reach that bridge, the one a few clicks beyond which lies Cambodia and certain peril, the one eerily bejeweled with hanging lights and flairs, where a night-time firefight rages and chaos reigns. I love that scene, and that’s what it was like in and around Stamford Bridge that night, minus (ironically) the illuminated bridge. It was an atmosphere only enhanced by the fact that the river of supporters streaming toward the ground was continually fed by tributaries emanating from local pubs. Plus, I’d gotten well and duly stoned before leaving Hampstead. I was effectively channeling Timothy Bottom’s surfer dude character, Lance, who was transfixed but not effectively warned by the spectacle.

Following Barry’s lead we entered the stadium through a portal reserved for visiting fans alongside a gaggle of Wednesday supporters. The terrace (no seats) set aside for visitors at Stamford Bridge was located behind the North goal. To our left there was nothing — just a sunken access road, well below us, that led to the field. Indeed, 30 feet of open space separated us from the main stand along the touchline.

To our right was an unoccupied terrace guarded on either side by 15-foot, wrought-iron fencing punctuated at foot-long intervals by sharp spikes. Beyond that was the remainder of Stamford Bridge’s North Terrace, occupied by thousands of Chelsea fans, clearly hammered and beside themselves with venom, all of it aimed at — us.

I had been utterly naïve about this excursion. I would soon learn what I should have known beforehand — what my roommates would have readily told me — namely, that Chelsea supporters, back then anyway, were among the “hardest” and most hostile in London, rivaled only by Millwall’s and West Ham’s. Put the money of Russian oligarch ownership out of your mind. This was not the posh club it is today. Chelsea was a hardscrabble, working class club in 1985, with fans to match.

Today, as home to one of the world football’s richest clubs, Stamford Bridge is a jewel (I’ve heard some older fans deride it as a bleedin’ galleria). In 1985, it was no such thing. Picture a dingy, no-frills ground very much like the Hillsborough we see in Gordon’s documentary.

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Inside the ground, the Wednesday fans (along with at least one woefully underprepared, somewhat stoned Yank), occupied a pen current observers might also recognize from the “Hillsborough” documentary. No seats. Completely enclosed. But that February evening in 1985, we were but a few hundred traveling supporters from Sheffield. There was no crush of fans clamoring to enter all at once. There was plenty of room to move about freely, though we instead huddled together — to guard against the cold and various projectiles.

From the outset and this considerable distance — the full width of the open terrace, maybe 25 yards — the Chelsea faithful pelted us with AAA batteries and pound coins. However, to be honest, it wasn’t all that threatening. It was a bit of a laugh at that stage. What a good and practical idea, I remember thinking, to leave that section open, as a buffer.

The game? Well, at times it seemed almost secondary to our homestanding neighbors a section removed. Chelsea scored first, through Kerry Dixon, and Sheffield managed to equalize just before halftime.

About then, to our horror, the empty section that separated the home crowd from ours was opened up, practical caution apparently giving way to the reality of ticket sales.

What ensued was a jailbreak. There’s no other way to describe it, and it lends insight to the rush/crush of fans that took place at Heysel and Hillsborough. The Chelsea throng poured over (!) and around this huge, spear-tipped fence like a horde of rabid 11th century Danes, and made a beeline for the lone wrought-iron barrier now separating us. Soon they were pressed up against it, screaming obscenities and taunting us, their arms reaching through the fence like desperate, famished prisoners. We all instinctively moved away from the fence, gathering at the far edge of the terrace and pulling our jackets up around our heads so as not to take a AAA in the ear. Let me tell you: It was fucking scary. I remember turning to Barry and saying, “I should NOT have gotten stoned.”

This was not some frenzied spasm of menace that faded with time. The Chelsea fans were on us the whole time, the entire second half, bombarding us with all manner of pocket-sized ammo. Thank god no human could spit that far.

There was no police presence in the terrace, only a smattering along the access/egress concourse that ran along the back of all three sections, behind the north goal. While the Chelsea horde had scaled one wrought-iron fence, an identical fence continued to separate them from us. The only thing stopping them from invading our space was, well… I don’t know. The fact that police were watching from above and perhaps an obscure, deep-seated tenet of British restraint?

Fortunately Chelsea scored in the final 10 minutes to secure a 2-1 victory. I don’t want to think about how things might have played out if Wednesday leveled things, or managed to win the game. As a player myself (at the time), I remember considering the prospect later that night: Did the Wednesday players, for example, recognize what victory might mean for the 800 or so supporters who’ve traveled down from Sheffield? Can one try to win with all the same commitment, knowing that a goal or victory — or perhaps a goal celebration taken a bit too far — might well bring a battery down on someone’s head, to say nothing of what might happen afterwards, outside the stadium?

Today, in the more refined Premiership era, visiting players score and make beelines to visiting fan sections, where much fist pumping and bellowing is enjoyed by the merry bands of traveling supporters. English football comportment was generally far less exhibitionist during the 1980s (so few of the games were televised). But visiting goal celebrations were relatively muted, in part, so as not to put traveling supporters in unnecessary danger inside and outside the ground.

As it was, when the final whistle blew and the referee pointed to the spot, the home supporters spent a few minutes hugging each other and chanting before they turned back to us and emptied their pockets one last time.

The trip out of the stadium was more frightening still. We Wednesday supporters exited first — and now there were several dozen policemen to help us execute this delicate task. The entire stadium was sealed but for our Bobby-lined egress route, which, of course, passed right behind our neighboring terrace, where the horde reached out to us one last time through the fence. They let us have it again, but I didn’t see any of this spectacle. I had my coat up over my head.

Outside the stadium there were two long lines of police on horseback; we walked between them the three city blocks back to the Tube station, where a special train was waiting for us. We piled on, the doors closed, and, as we slowly pulled away, a group of Chelsea fans burst down onto the platform, half of them singing “We love you Chelsea/Oh yes we do-oo…”, while the other half reiterated the epithets to which we had become accustomed inside the Bridge.

The context is important: Wednesday was and remains no particular rival of Chelsea’s. This was a run-of-the-mill, February match between a pair of mid-table sides, with nothing special to play for. And yet the atmosphere between the two sets of supporters was dire — and routine. That everyday menace like this, and incidents like Heysel, did nothing to move the FA toward meaningful institutional reform and stadium renovation, is a bit mystifying 30 years on. That it took Hillsborough to make that happen, finally, is tragic.

Back at Westfield, just off the Finchley Road, I found my roommates at home and started to regale them with tales of my nerve-rattling introduction to top-flight English football. Yet I’d hardly begun when Trevor interrupted. “Hang on, mate. You sat with the away supporters?” As indicated, Trev was no football fan back then, but he knew enough to throw a disbelieving glance at Adrian, before turning back to me. “That was fucking stupid.”